Posts Tagged ‘Cathy Hirano’

World Kid Lit Month Interview: Helen Wang Talks with Cathy Hirano

By Avery Fischer Udagawa, Bangkok

To ring in World Kid Lit Month 2017, SCBWI: The Blog has an interview in which Helen Wang, a master Chinese-to-English kidlit translator, interviews Cathy Hirano, a master Japanese-to-English kidlit translator. The interview features Hirano’s latest publication, a translation of the chapter book Yours Sincerely, Giraffe by Megumi Iwasa, illustrated by Jun Takabatake. Enjoy!

 

Advertisements

Japan Kidlit for Women in Translation Month

August is Women in Translation Month! Here are Japan kidlit titles (picture book through Young Adult) by #womenintranslation that have appeared on this blog so far. Click to read more!

The Nurse and the Baker by Mika Ichii, translated by Hart Larrabee

Little Keys and the Red Piano by Hideko Ogawa, translated by Kazuko Enda and Deborah Iwabuchi

The Bear and the Wildcat by Kazumi Yumoto, illustrated by Komako Sakai, translated by Cathy Hirano

Are You An Echo? The Lost of Poems of Misuzu Kaneko by David Jacobson, illustrated by Toshikado Hajiri, translated by Sally Ito and Michiko Tsuboi

Totto-chan by Tetsuko Kuroyanagi, translated by Dorothy Britton

The Secret of the Blue Glass by Tomiko Inui, translated by Ginny Tapley Takemori

Brave Story written by Miyuki Miyabe, translated by Alexander O. Smith

 

TOMO with stories by Naoko Awa, Yukie Chiri, Megumi Fujino, Sachiko Kashiwaba, Arie Nashiya, Yuko Katakawa, and Fumio Takano; translated by Toshiya Kamei, Deborah Davidson, Lynne E. Riggs, Avery Fischer Udagawa, Juliet Winters Carpenter, Deborah Iwabuchi, and Hart Larrabee

Dragon Sword and Wind Child by Noriko Ogiwara, translated by Cathy Hirano

Mirror Sword and Shadow Prince by Noriko Ogiwara, translated by Cathy Hirano

Moribito: Guardian of the Spirit by Nahoko Uehashi, translated by Cathy Hirano

Moribito II: Guardian of the Darkness by Nahoko Uehashi, translated by Cathy Hirano

A True Novel by Minae Mizumura, translated by Juliet Winters Carpenter

Confessions by Kanae Minato, translated by Stephen Snyder

 

Thirty Japan Kidlit Picks

By Avery Fischer Udagawa, Bangkok

Looking for good reads? At the last Japan Writers Conference, I recommended thirty Japan titles for young readers (picture books, middle grade, and YA) including about two dozen translations. Here is the full slideshow, downloadable or viewable online. Happy reading!

screen-shot-2017-02-23-at-10-30-50-am

Translator Cathy Hirano, the YA novels Moribito: Guardian of the Spirit and Moribito II: Guardian of the Darkness, and Andersen Award-winning author Nahoko Uehashi. Click image for full slideshow.

Japan Titles on Book Riot List of 100 for #WorldKidLit Month

by Deborah Iwabuchi, Maebashi, Japan

Book Riot is a literature blog “dedicated to the idea that writing about books and reading should be just as diverse as books and readers are.”

We were delighted to see that in a recent posting for #WorldKidLit Month, 100 Great Translated Children’s Books from Around the World, there were several books from Japan, including some translated by members of our group. Two were Moribito: Guardian of the Spirit  (by Nahoko Uehashi, translated by Cathy Hirano) and Brave Story (by Miyuki Miyabe, translated by Alexander O. Smith), both Batchelder Award winners.

elina-braslina-swimming-and-reading

#WorldKidLit Month image © Elina Braslina

Kyoto Journal Features Translator Cathy Hirano

Kyoto Journal 86 Page 132

By Wendy Uchimura, Yokohama

The inspiring talk “Why I Translate for Children and Teens in a Translation-Resistant Market,” given by translator Cathy Hirano at the 2014 SCBWI Japan Translation Day, a biennial event, has been skillfully adapted into an article that appears in Kyoto Journal Volume 86.

Cathy Hirano is an award-winning translator whose works include The Friends by Kazumi Yumoto, as well as Moribito: Guardian of the Spirit and Moribito II: Guardian of the Darkness by Nahoko Uehashi.

With an introduction by Avery Fischer Udagawa, this article delves into why we should bother to translate children’s literature, the benefits of sharing culture, how the English publishing world can sometimes act as an obstacle, and how the translator can play mediator between the author and the editor.

Top: page 132 of Kyoto Journal Volume 86. This issue is downloadable here.

Kyoto Journal 86

AFCC 2016 (Part 3): Slideshow Afterglow

By Avery Fischer Udagawa, Bangkok

Last month I thoroughly enjoyed Asian Festival of Children’s Content 2016, where Japan was the Country of Focus. While physically present in Singapore’s National Library Building, I spent three days immersed in presentations about Japan. This post contains slides from several.

Early on I spoke about 31 Japanese children’s books available in English translation—from folktales to fantasy, and from picture books to edgy YA. Click for the full slideshow (an 18 MB download).

J Children's Books in E by Avery Fischer Udagawa AFCC 2016

Or here is a PDF list of Japanese children’s books in English translation, recommended for the AFCC 2016 Festival Bookstore (118 KB). We passed many of these around in my session thanks to a generous loan from Denise Tan of Closetful of Books. Thank you, Denise!

One of the leading translators of Japanese children’s books into English is the amazing Cathy Hirano. Her AFCC 2016 talk “On Translation” featured this humorous slide, which is a literal translation of a page from a Japanese picture book.

Yoda slide by Cathy Hirano AFCC 2016

To read how Cathy handled this text in her final draft, watch for Yours Sincerely, Giraffe by Megumi Iwasa, illustrated by Jun Takabatake, due out in August 2016 from Gecko Press.

A picture book you might already have seen from Japan is this one, published by Kaisei-sha.

The Tiny King slide by Akiko Beppu AFCC 2016

The Tiny King appeared in a presentation by editor Akiko Beppu, who spoke of how some illustrators in Japan—including Taro Miura—are making picture books with striking two-page spreads, and working in a style with international appeal.

Yumiko Sakuma, a translator and critic, spoke of Japanese middle grade and YA novels about afterschool activities (bukatsu)—some of which are unusual, such as archery and metalworking. This slide of hers shows two novels by Mito Mahara, published by Kodansha.

Afterschool activity bks slide by Yumiko Sakuma AFCC 2016

Ms. Sakuma presented the history of Japanese children’s literature since World War II as well as recent trends and needs. Her figures showed Japan is publishing as many as 5,000 new children’s titles per year; 4,381 in 2015, of which 16.1 percent were translations from abroad (in the U.S., this figure is around 2 percent).

Miki Yakamoto, a manga artist and assistant professor at Tsukuba University, gave a thorough overview of manga in Japan, explaining that for years major works have begun as serials in manga magazines. This was the case with her own work Sunny Sunny Ann! in the magazine Morning:

Manga magazine slide by Miki Yamamoto AFCC 2016

Ms. Yakamoto pointed out that manga is evolving due to new technology, but right now manga magazines and books make up just under 40 percent of all printed matter published in Japan.

One of my favorite sessions of the conference was Kazuo Iwamura’s; I learned that his Family of Fourteen books, featuring a family of mice in a forest, ring true because Iwamura himself grew up in woods. “The woods were my playground,” he told us.

The Family of Fourteen books AFCC 2016The above set is translated into English by Arthur Binard, published by Doshinsha.

How much children’s literature from Japan and Asia is represented in the English-reading world? I spoke about this in my other solo presentation, “Understanding the Business of Translation.” Click to download (4 MB).Cathy Hirano and Nahoko Uehashi slide by Avery Fischer Udagawa AFCC 2016

My thanks to those who gave permission to use slides above. Any errors herein are mine alone. Much gratitude to the National Book Development Council of Singapore, to Asian Festival of Children’s Content, and to this year’s Japan: Country of Focus team. Kanpai, AFCC!

AFCC 2016 (Part 1): Japanese-English Bilingual Picture Book Launched in Singapore

ST_20160528_NAJAPAN_2322659

At Asian Festival of Children’s Content 2016 in Singapore, Japan featured as Country of Focus. Events included a launch for the picture book Monster Day on Tabletop Hill (above right), written by Japanese author Akiko Sueyoshi*, translated by Cathy Hirano, and illustrated by David Liew. AFCC Publications: ISBN 978-9810993542. Photo by Kua Chee Siong/The Straits Times.

By Malavika Nataraj, Singapore

Monster Day on Tabletop Hill coverWhen an award-winning author, translator and illustrator all come together to create a book, the result can be nothing but special. That’s the first thought that comes to mind while reading Monster Day on Tabletop Hill. Author Akiko Sueyoshi’s latest work, in collaboration with acclaimed translator Cathy Hirano and sculptor-turned-illustrator David Liew, is a lively story about Forky, the little fork boy who lives in a mug-cup shaped house.

Forky is out playing in Sugar Cube Park on Monster Day, when he hears bells clanging, announcing the arrival of the guardians of clean, Grandpa Sweep-Sweep and Granny Wipe-Wipe, who sweep-sweep and wipe-wipe at everything that’s in their path, determined to get Tabletop Hill as clean as can be. It’s a particularly distressing day for carelessly wandering creatures and monsters, who may well be swept away into nothingness, never to return.

While dodging this bustling pair, Forky chances upon a glowing pumpkin in the middle of a field. And out of this pumpkin house comes a delightfully motley crew: little biscuit bats, musical chocolate skeletons and . . . the four Marshomon.

Monsters though they are, Forky isn’t afraid of the Marshomon at all, joining in their dancing and inviting them all out to play in Sugar Cube Park, where they shoot at lollipops till scrumptious ice-cream and juices ooze out.

Their wonderful adventure must end, however, when the ominous bells clang once again and the doors to Pumpkin House begin to close. A pacey and engaging read, Forky’s adventure will keep little readers in thrall from beginning to end.

Monster Day on Tabletop Hill spread 1Illustration © David Liew

This book is one more feather in the cap of award-winning children’s author Akiko Sueyoshi, who is no stranger to picture books. Her most popular story, the long-selling Mori no Kakurenbō (Hide-and-Seek in the Forest), was first published in 1978. Since then, she has won several awards for her work, including the Shogakukan Children’s Publication Culture Award in 1999 for Amefuribana Saita (When the Rainflowers Bloomed) and two Newcomer Prizes for Hoshi ni kaetta shōjo (The Girl Who Returned to the Star), as well as the Noma Award for Children’s Literature for Mama no kīroi kozō (Mummy’s Little Yellow Elephant).

Monster on Tabletop Hill is written in prose, in Sueyoshi’s typically concise style and filled with little details that set the mood of the story. The work of Cathy Hirano, translator of the Moribito series with two Batcheldor Awards under her belt, means that both English and Japanese audiences can enjoy this bilingual picture book in the best possible way. Hirano’s contribution to Sueyoshi’s story is subtle but evident; the translation is simple and energetic, faithful to the mood and setting of the original Japanese text.

Monster Day on Tabletop Hill spread 2Illustration © David Liew

Bright and quirky illustrations by David Liew—known to fans as Wolfe, the illustrator of the Ellie Belly series written by Eliza Teoh—bring this delightful little story entirely to life. The expressions on Forky’s face, the chocolate skeletons with their instruments and a grinning pumpkin house all add significant depth to the text.

The whole story with its joyful illustrations, written simply but so engagingly, carries with it an air of a fun celebration, where monsters with swirling scarves dance to the beat of drums and lost hats can be the beginning of a friendship. Sadly, the monsters must soon return to their pumpkin lair and we are forced to say goodbye to little Forky. His romp with the Marshomon and the other monsters is over far too soon.

Malavika Nataraj is the author of Suraya’s Gift: The Story Catcher Children and is an aspiring Japanese-to-English translator.

Akiko-Sueyoshi- AFCC 2013*Editors’ note: It is with great sadness that we report the death of Akiko Sueyoshi (1942–2016), the author of Monster Day on Tabletop Hill. Ms. Sueyoshi passed away due to cancer on May 28, 2016, two days after her final picture book was launched at AFCC. We understand that she was able to view the finished book before her death. News of her passing in the Asahi Shimbun newspaper in Japanese is here. A description of her life and works in English is here. Her photo at left appears on the website of AFCC, where she spoke in 2013. After a full life in which she gladdened the hearts of countless children, may she rest in peace.