Posts Tagged ‘Hans Christian Andersen Award’

SCBWI Japan Translation Day 2018 in Yokohama

By Emily Balistrieri, Tokyo

SCBWI Japan held Translation Day 2018 on October 20 in Yokohama. The fifth in this biennial series of single-day conferences for translators and translation-lovers alike had a fantastic line-up of speakers with both inspiring and practical wisdom to share.

Kicking off the day was a pre-recorded Skype interview with Takami Nieda whose translation of Go by Kazuki Kaneshiro was published by AmazonCrossing this past March. Go is a great example of a book that while not particularly marketed for teenagers in Japan fits perfectly in the YA category in English. Nieda discussed that as well as how nice it was to work with AmazonCrossing. People unsure about Amazon as a publisher might be interested to know that she found the editors friendly and the editing process rigorous.

For aspiring translators, Nieda recommended attending a short translation program, such as the British Centre for Literary Translation summer school or the Breadloaf Translators’ Conference, and pairing with another translator for peer editing. It also sounded like she would recommend having a day job because it allows you to pick and choose your projects more.

After the participants in the day got to know each other a bit and receive some SCBWI, SWET and submission news, the second session began. In another pre-recorded Skype interview, publisher and managing director of Pushkin Press Adam Freudenheim talked about publishing translations in the UK. People often observe a lack of demand for translations, but he said the key is finding your market. Pushkin’s (and Penguin Random House’s) series of six novellas translated from Japanese—including Ms. Ice Sandwich by Mieko Kawakami, which was a centerpiece of this event—has been doing great. Sometimes finding your audience can be tricky, though: Freudenheim shared that the collection of Akiyuki Nosaka stories translated by Ginny Tapley Takemori originally published for children as The Whale that Fell in Love with a Submarine has been doing much better repackaged and expanded for adults as The Cake Tree in the Ruins.

In response to questions about the nuts and bolts of publishing translations, Freudenheim said that it’s easier to publish longer translations or otherwise take risks when there are subsidies or grants available, often from source countries’ governments. If translations can be co-funded by American and UK publishers, that also helps. He noted that it’s possible to be successful approaching Pushkin cold and emphasized sharing your passion for the book when pitching in addition to the whats and the whys.

Before lunch Louise Heal Kawai, translation of Ms. Ice Sandwich among many other books, spoke on the importance of networking, which is how she ended up on that project. She also shared how she localized Mieko Kawakami’s punny nickname for a girl whose fart smells like tea! (Let’s just say that’s what you get when the book’s protagonist is a boy in fourth grade.)

After a sunny lunch break, during which participants could practice her networking advice, Kawai led a translation workshop on an excerpt from the sequel to Ms. Ice Sandwich, Ichigo jamu kara ichigo o hikeba (which can be variously translated as If You Take the Strawberries Out of Strawberry Jam or Strawberry Jam Minus the Strawberries, among other ways) from the volume Akogare (Longing, or Longings or Yearning). Although there were plenty of challenges regarding the Japanese, including the name of a candy bar that was actually fictitious and finding the correct tense, the main exercise turned out to be writing in voice for a sixth-grade girl. Words like “adept,” “disgusted,” and “smitten” were frowned upon, while choices like “super popular,” “stuff like that,” and the exchange “No way,”-“Yes way,” got the nod.

One of the challenges in translating books from Japan, especially for young people, is packaging them for English-language book categories. Author and SCBWI Japan Co-Regional Advisor Holly Thompson led a session explaining some of the most common definitions of middle-grade and young-adult fiction, which can seem strict but do offer room for crossover success. Participants broke into groups for an exercise in classifying novels as MG or YA based on the opening pages. Drugs and sex references were the most obvious markers of YA besides older protagonists, while MG books seemed immediately to contain more family references and simpler vocabulary.

In the last session, Thompson was joined by Japanese Board on Books for Young People president (not to mention prolific translator) Yumiko Sakuma and SCBWI Japan Translator Coordinator Avery Fischer Udagawa in a discussion about Japanese book categories vs. US/UK book categories.

In Japan, the consideration is less about age-appropriate vocabulary than age-appropriate kanji. Then, even if a child is the protagonist, you can simply decide as a marketing strategy that it’s a book for adults if you want adults to read it, too, as happened in the case of Tonneru no Mori 1945 (The Tunnel of Trees 1945) by Eiko Kadono, winner of the 2018 Hans Christian Andersen Award for Writing. Sakuma also explained that to some extent there’s a belief that it’s better not to set ages for books because kids all read at their own pace. Given what people throughout the day noted appears to be a more fluid mindset about especially protagonist age in Japan, it can be a challenge to make English categories fit.

After this nine-to-five Saturday of kidlit translation immersion, surely even the most exhausted of the participants were feeling inspired to get going on some new projects.

 

 

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Global Literature in Libraries Initiative Features Japan, Including Children’s and YA Literature

By Andrew Wong, Tokyo

Looking for a strong dose of commentary on Japanese literary works online? Try the special Japan-in-Translation series at the Global Literature in Libraries Initiative (published throughout May 2018). Organized by David Jacobson, this series offered an entire month of blog posts spanning poetry and prose, manga, light novels, chapter books, picture books, fun with kanji, and onomatopoeia, plus reflections on publishing and reading translated works. Several members of SCBWI Japan contributed.

Here is the full list of posts in the series, including many on children’s literature:

Eiko Kadono Wins 2018 Andersen Award

By Avery Fischer Udagawa, Bangkok

Japanese author Eiko Kadono has won the 2018 Hans Christian Andersen Award for Writing, a prestigious biennial award often described as the Nobel Prize for children’s literature. The news was announced at Bologna Children’s Book Fair 2018.

Right: Eiko Kadono (Yomiuri Shimbun)

The International Board on Books for Young People (IBBY) press release says of Kadono:

“There is an ineffable charm, compassion, and élan in the work of this great Japanese author.  Whether in her many marvellous and funny picture books, or her great series of novels about the witch Kiki, or her novel set during World War II about a brave girl who must walk through a terrifying tunnel of trees to get to school, Kadono’s books are always surprising, engaging, and empowering.  And almost always fun. And always life affirming.

“Although Kadono has travelled widely throughout the world, her stories are deeply rooted in Japan and show us a Japan that is filled with all kinds of unexpected people.  Her female characters are singularly self-determining and enterprising; figuring out how to cope with all kinds of complications without suffering too many self-doubts – though some of these do creep in.  As such, they are perfect for this time when we are all seeking girls and women in books who can inspire and delight us with their agency. The language in her picture books is notable for its playfulness and use of onomatopoeia. And of course, the beautiful, but simple language in her novels makes them extremely readable.”

Kadono is the author of Kiki’s Delivery Service, basis of the animated film by Studio Ghibli, among nearly 250 original works for children and more than 100 translations into Japanese.

Kadono is the third Japanese children’s author to win the Andersen, following Michio Mado in 1994 and Nahoko Uehashi in 2014. The 2018 Andersen Award for Illustration has also been given, to Igor Oleynikov of Russia.

Eiko Kadono Named to Andersen Award Shortlist

By Avery Fischer Udagawa, Bangkok

Japanese author Eiko Kadono has been named to the shortlist for the 2018 Hans Christian Andersen Award (“little Nobel”) in Writing. She is the author of Kiki’s Delivery Service, basis of the well-known animated film by Studio Ghibli.

Born in Tokyo in 1935, Kadono has written and translated prolifically for children of multiple generations.

The International Board on Books for Young People notes, “When she was ten, Eiko Kadono was evacuated to northern Japan during the Pacific War. These memories formed the basis of one of her best-known stories, Rasuto ran (Last Run, 2011) and the experience of war as a child is at the root of her commitment to peace and happiness. She studied American literature and then travelled extensively in Europe as well as in North and South America and began writing. She has published nearly 250 original works—picture books, books for pre-schoolers, fantasy and young-adult—and translated into Japanese more than 100 works by foreign authors including Raymond Briggs and Dick Bruna. Her best-known works include Zubon senchosan no hanashi (Tales of an Old Sea Captain, 1981) and Odorobo Burabura-shi (Grand Thief Burabura, 1981), both of which won prizes in Japan. In 1985 she published the first of six volumes of Majo no takkyubin (Kiki’s Delivery Service, 1985) that won the Noma and Shogakukan Prizes and was selected for the IBBY Honour List in 1986. Eiko Kadono has also been a champion of reading and books for children and has been recognised for her contributions to children’s literature with the Medal with Purple Ribbon in 2000, and the Order of the Rising Sun—Gold Rays with Rosette in 2014.”

This video shows the 2018 Andersen Award shortlistees, including Kadono, and gives a glimpse of their workspaces. It also shows the Andersen jury at work.

Kiki’s Delivery Service by Eiko Kadono has been published in English by Annick Press, translated by Lynne E. Riggs.

Novel by Andersen Laureate to Launch in English

By Avery Fischer Udagawa, Bangkok

Happy Year of the Dog! SCBWI Japan translator member Cathy Hirano has translated The Beast Player by Nahoko Uehashi, winner of the international Hans Christian Andersen Award for Writing (“little Nobel”) in 2014. This novel will launch in English in March 2018 in the UK, and subsequently in the US.

UK publisher Pushkin Children’s describes The Beast Player as a fantasy novel for ages 10 and up, in which heroine Elin must prevent beloved beasts from being used as tools of war.

Uehashi’s prior publications in English are the YA novels Moribito: Guardian of the Spirit and Moribito II: Guardian of the Darkness, which won the Batchelder Award and a Batchelder Honor, respectively, in the US. A resource list about the Moribito books, Uehashi, and Hirano appears hereThe Beast Player is available for preorder globally in paperback and ebook.

 

Thirty Japan Kidlit Picks

By Avery Fischer Udagawa, Bangkok

Looking for good reads? At the last Japan Writers Conference, I recommended thirty Japan titles for young readers (picture books, middle grade, and YA) including about two dozen translations. Here is the full slideshow, downloadable or viewable online. Happy reading!

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Translator Cathy Hirano, the YA novels Moribito: Guardian of the Spirit and Moribito II: Guardian of the Darkness, and Andersen Award-winning author Nahoko Uehashi. Click image for full slideshow.

Moribito Giveaway at Cynsations!

IMG_1917Members of SCBWI Japan Translation Group have published an interview with translator Cathy Hirano at Cynsations, the children’s literature blog.

The interview includes a giveaway (open to entrants worldwide) of Moribito: Guardian of the Spirit by Nahoko Uehashi, translated by Cathy Hirano.

This title won the 2009 Mildred L. Batchelder Award for publisher Arthur A. Levine Books, and Uehashi later won the 2014 Hans Christian Andersen Award for Writing. The hardback version of Moribito is now a collector’s item. Four more days to enter!

Cathy Hirano and Cynsations‘ own Cynthia Leitich Smith will speak at Asian Festival of Children’s Content (AFCC), 25-29 May 2016.