Posts Tagged ‘Deborah Iwabuchi’

Global Literature in Libraries Initiative Features Japan, Including Children’s and YA Literature

By Andrew Wong, Tokyo

Looking for a strong dose of commentary on Japanese literary works online? Try the special Japan-in-Translation series at the Global Literature in Libraries Initiative (published throughout May 2018). Organized by David Jacobson, this series offered an entire month of blog posts spanning poetry and prose, manga, light novels, chapter books, picture books, fun with kanji, and onomatopoeia, plus reflections on publishing and reading translated works. Several members of SCBWI Japan contributed.

Here is the full list of posts in the series, including many on children’s literature:

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Don’t Know What “Ippai Attena” Means? You Will.

By Emily Balistrieri, Tokyo

Rudorufu to Ippai Attena by Hiroshi Saito is a cute chapter book about a little black cat who finds himself lost in the big city, after inadvertently boarding a long-haul truck. He befriends a tough stray who knows a few tricks—including how to read human language. Can Rudolf use what he learns to find a way home?

Translated by Deborah Iwabuchi and Kazuko Enda as Rudolf and Ippai Attena, it’s put out in English by Kodansha in their Eigo Bunko line (which hardcore Haruki Murakami fans might be aware of, as it was the only way to read his first novel, Hear the Wind Sing, in English [translated by Alfred Birnbaum] until the 2015 version translated by Ted Goossen). Since Rudolf is a book published in Japan for young English learners, complete with a vocab list in the back, you might wonder how the translators approached it.

At a talk Iwabuchi and Enda gave recently in Tokyo, they said their goal was for English-speaking elementary-schoolers to be able to understand and relate to the story. As such, one of their focuses, besides navigating cultural things like torii and fish varieties, was making street-smart Ippai Attena sound like he could handle a fight without veering into words children shouldn’t use. Iwabuchi described English bad words as similar to Japanese keigo, in that there are various registers and situational uses. When she said this, I immediately thought of how kono yarō can operate on so many levels of English insults, from “Ya little booger” to “You bastard” (and surely beyond).

Speaking of “Ippai Attena,” though, if you’re wondering how this unconventional name made it through as-is, the main rationale was that the title is equally mysterious in Japanese (I won’t spoil what it means here). The translators do work an explanation into the text. While there may have been smoother options, the book’s very clear setting in Japan includes a few other references to the Japanese language, so the rōmaji doesn’t feel entirely misplaced.

As it turns out, the name joke was only one of many the translators had to cope with, including that most brutal pun, sake/salmon. And Ippai Attena’s trademark threat got an amusing localization to make it more evocative for English readers who may not know Doraemon.

Overall, the book’s themes of getting your education and using knowledge to accomplish your goals are good, but I especially like Ippai Attena’s nurturing side; for instance, where he says, “When you talk tough and sound nasty, your mind starts thinking it’s tough and that it’s acceptable to be mean,” I hope readers pause and consider the idea.

Japanese Children’s Books Today with Yumiko Sakuma on Nov. 11

The Society of Children’s Book Writers and Illustrators presents

Japanese Children’s Books Today with JBBY President Yumiko Sakuma

Time: Saturday, November 11, 2017, 6:30-8 p.m.

Place:  Tokyo Women’s Plaza, Conference Room 2, 5-53-67 Jingumae, Shibuya-ku, Tokyo (by the United Nations University) map

Fee:  800 yen SCBWI members; 1,000 yen nonmembers

Reservations required. To reserve, email japan (at) scbwi.org by Thursday, November 9.

Note: This event will be in Japanese with English interpretation provided.

* * * * * * * * * * *

Translator, editor, Japanese children’s literature critic, and current president of the Japanese Board on Books for Young People (JBBY), Yumiko Sakuma will present the history and current state of children’s book publishing in Japan. She will explain the aims of JBBY and discuss the latest issue of the English-language JBBY booklet Japanese Children’s Books, which showcases Japanese children’s books for enhancing international understanding. Sakuma will also describe recent trends in children’s books in Japan and offer recommendations of favorite new titles.

Yumiko Sakuma was born in Tokyo and worked as an editor before becoming a freelance editor, translator and Japanese children’s literature critic. She taught children’s literature at Aoyama Gakuin Women’s College, has translated more than 230 children’s books into Japanese, and has garnered many awards, including the Sankei Juvenile Literature Publishing Culture Award. She also researches African literature and is the current director of the Japan Africa Children’s Books ProjectHer own website バオバブのブログ (Baobab Blog) provides valuable information about Japanese children’s titles. Yumiko Sakuma is the President of the Japanese Board on Books for Young People (JBBY), and her essay「翻訳ってなんだ」 (“What Exactly Is Translation?”) is available in English translated by Deborah Iwabuchi in this post“Pianyan, Little Keys, and Yumiko Sakuma.”

japan.scbwi.org

Japan Kidlit for Women in Translation Month

August is Women in Translation Month! Here are Japan kidlit titles (picture book through Young Adult) by #womenintranslation that have appeared on this blog so far. Click to read more!

The Nurse and the Baker by Mika Ichii, translated by Hart Larrabee

Little Keys and the Red Piano by Hideko Ogawa, translated by Kazuko Enda and Deborah Iwabuchi

The Bear and the Wildcat by Kazumi Yumoto, illustrated by Komako Sakai, translated by Cathy Hirano

Are You An Echo? The Lost of Poems of Misuzu Kaneko by David Jacobson, illustrated by Toshikado Hajiri, translated by Sally Ito and Michiko Tsuboi

Totto-chan by Tetsuko Kuroyanagi, translated by Dorothy Britton

The Secret of the Blue Glass by Tomiko Inui, translated by Ginny Tapley Takemori

Brave Story written by Miyuki Miyabe, translated by Alexander O. Smith

 

TOMO with stories by Naoko Awa, Yukie Chiri, Megumi Fujino, Sachiko Kashiwaba, Arie Nashiya, Yuko Katakawa, and Fumio Takano; translated by Toshiya Kamei, Deborah Davidson, Lynne E. Riggs, Avery Fischer Udagawa, Juliet Winters Carpenter, Deborah Iwabuchi, and Hart Larrabee

Dragon Sword and Wind Child by Noriko Ogiwara, translated by Cathy Hirano

Mirror Sword and Shadow Prince by Noriko Ogiwara, translated by Cathy Hirano

Moribito: Guardian of the Spirit by Nahoko Uehashi, translated by Cathy Hirano

Moribito II: Guardian of the Darkness by Nahoko Uehashi, translated by Cathy Hirano

A True Novel by Minae Mizumura, translated by Juliet Winters Carpenter

Confessions by Kanae Minato, translated by Stephen Snyder

 

Fourth Anniversary of 3/11

Tomo: Friendship Through Fiction—An Anthology of Japan Teen StoriesThis week marks the fourth anniversary of the Great East Japan Earthquake of March 11, 2011.

Tomo: Friendship Through Fiction—An Anthology of Japan Teen Stories (Stone Bridge Press) is a collection of YA fiction compiled to help teen survivors of the 3/11 disaster. This benefit anthology was edited by Holly Thompson.

Tomo offers 36 stories including 10 translations from Japanese (one from Ainu). These are:

“Anton and Kiyohime” by Fumio Takano, translated by Hart Larrabee

“Blue Shells” by Naoko Awa, translated by Toshiya Kamei

“The Dragon and the Poet” by Kenji Miyazawa, translated by Misa Dikengil Lindberg

“Fleecy Clouds” by Arie Nashiya, translated by Juliet Winters Carpenter

“Hachiro” by Ryusuke Saito, translated by Sako Ikegami

“House of Trust” by Sachiko Kashiwaba, translated by Avery Fischer Udagawa

“The Law of Gravity” by Yuko Katakawa, translated by Deborah Iwabuchi

“Love Letter” by Megumi Fujino, translated by Lynne E. Riggs

“Where the Silver Droplets Fall” by Yukie Chiri, translated by Deborah Davidson

“Wings on the Wind” by Yuichi Kimura, translated by Alexander O. Smith

The epigraph of Tomo, an excerpt from the poem “Be Not Defeated by the Rain” by Kenji Miyazawa, was translated by David Sulz.

All proceeds from sales of Tomo benefit teens via the NPO Hope for Tomorrow. Interviews and an educators’ guide may be found at the Tomo blog. Tomo is also available as an ebook.